The Girl from Geraldine
Words by Harley Bell
Will you tell me another story
about Geraldine,
with childhood houses
that grew wild with silverbeet
with backyards and long grass.
Will you tell me about the cinema
or the daisies
or the way you crept
through bamboo groves
to pick lemons from the tree,
and the way your sister would laugh
at the leaves stuck to your hair.
Let me see beyond the dust
on the windows,
and the concrete
that now covers the lawn.
Is that where you learnt to cartwheel?
I walked the streets of Geraldine
after the Anglican honey maker
starting pushing daisies from the earth,
after the pancreatic cancer ceased
to be the source of prayers,
after the candles became a pool of wax,
after the silence of the church bells.
Who shall tell the bees
that their keeper is dead?
Geraldine, you drove me to the edge of town
to show me the first the roundabout,
the first stop sign,
after the gravel become tarmac
and was painted with little white lines,
you drove me to where the wind carried
the seeds
of Himalayan lilies.
This is what it means to share a road,
one of us wants progress
and the other wants to grow old
with the memory of potholes.
Geraldine, who will pour the wine at the local?
After the children grow up and dream of Wellington.
Who will come back for the holidays?
While the birds still flock to the powerlines.
While the water still flows in the river, Waihi.
Will you tell me another story
about being a child of Canterbury
before the forests became estates
before the cheese makers became millionaires.
Will you tell me about the girl
that danced
with sequins sewn to her jacket?
What were you like before you were swept
up in the winds of the city?
before you had cried on the pavement of Leeds Street,
on the barstools of Garret Street,
in the stairwells of Anvil house,
before you had broken pastries
into pieces to share
with the long night
of karaoke
and Campari?
before you had tried to cut bread
with the dull edge of a butter knife.
What were you like when the golden hours
turned twilight and your family
moved you to Timaru?
When the calves became cows
in the paddock
became cattle
in the supermarket.
When the name of your river
could not wash your body clean.
Timaru was your first kiss
with tongue,
the first time you let coffee
grow cold on the counter.
Timaru was the first time
you wore high-heels
and tried to walk out of town.
The first time you had too much vodka
and learnt what it’s like to feel
that drinks are never free,
that kindness often comes
with expectations.
Even if we pour soap suds into the fountain
of the town square,
it will not clean the stench
of the tin-can children
that grew up, throwing up in Timaru.
Will you tell me a story that makes me believe
that Timaru is more than the tarnish
on the map of the Canterbury Plains.
I remember when we met in the valley of South Kaori Road,
after we swam in the seaweed water of Shelly Bay.
We built our first house in an old art gallery
by the ocean. After we swung in hammocks from the rafters
and lived without hot water for a year.
After my first tattoo,
and after we booked a ferry
across the Cook Straight;
and Christmas loomed
like a mountain with four peaks
after I met the parents and the grandparents
and the dog,
after the eggplants were in the oven
and the spuds were fresh from the ground,
and the salad was on the table
after you introduced me
to your river, Waihi.
I think of everything
we could become
in Geraldine.
Harley Bell is a writer, poet and facilitator from New Zealand. His background is in art and business. He is interested in the intersection of nature and mythology. He drinks too much coffee.